One of the longterm goals for my work is to have my paintings returned to the pages of text books from which many of the images in them originated, where they may act as sites around which a more enlightened kind of knowledge may circulate; perhaps a knowledge that is understood from the outset as culturally relative Gordon Bennett 4. Celebrations continued throughout the year and gave renewed focus to traditional images and stories of the nations settlement history. Australian politics is fraught yet the Australian public is disengaged. Bennett used it to question notions of self. Possession Island (Appendix 1), 1991 and Notes to Basquiat (Jackson Pollock and his Other) (Appendix 2), 2001, will be discussed in relation to Henri's statement. Gordon Bennett, Possession Island (1991)*. . Bennett worked in a range of art forms and with a variety of media and techniques. Gordon Bennett 6, I first learnt about Aborigines in primary school, as part of the social studies curriculum I learnt that Aborigines had dark brown skin, thin limbs, thick lips, black hair and dark brown eyes. Gordon Bennett (1955- 2014) was born in Monto, Queensland. Bennett used perspective diagrams and visual symbols in Triptych: Requiem, Of grandeur, Empire . These images are fused and overlapped in a dynamic composition underpinned by Mondrian-style grids. However Bennetts illusionistic representation of the rugged terrain and billowing clouds reflect a style of painting traditionally associated with European Romantic art. Possession Island 1991 was recently purchased by the Historic Houses Trust of NSW. As far as pinning down who John Citizen actually was, Im not interested in doing that. Reflecting the colours of the Aboriginal flag, splashes and drips of red, yellow and black paint across the surface of the painting quote the distinctive style of Jackson Pollock (19121956), which Bennett began to sample in 1990. ). Bennett was in possession of all four, all of which will become evident upon a glance at a summary of his life. Bennett intentionally fuses this iconic style of Western painting with the famous Aboriginal white dot painting of the Western Desert, reproducing the mix in Possession Island. Lieutenant General Henry Gordon Bennett | Australian War Memorial Gordon Bennett, Possession Island, 1991, oil and synthetic polymer paint on canvas; two parts, 162 x 260cm (overall). Include a selection of relevant artworks by Gordon Bennett to illustrate your timeline. AUSTRALIAN ART COMES TO TATE MODERN - Qantas News Room Choose a selfportrait by Gordon Bennett that interests you. The triptych form of painting is most commonly associated with the altarpiece paintings made for Christian churches. Possession Island (Appendix 1) 1991 and Notes to Basquiat (Jackson Pollock and his Other) (Appendix 2) 2001 will be discussed in relation to Henri's statement. Place each photograph on a separate layer, overlap and morph or merge all the portraits into one image. Queensland-born Gordon Bennett was an artist who loved collapsing 'high' and 'low' art boundaries. He holds a large whip with which he regularly lashes out at a black, coffin- like box. For more information, visit: www.qagoma.qld.gov.au for details. The emphasis on making art about art which was the focus of his non-representational abstract paintings, contrasts clearly with the focus on social critique that was integral to Bennetts earlier work, and was intended also to make people aware that I am an artist first and not a professional Aborigine.2 In this respect, Bennetts non representational abstract works, despite their overt emphasis on visual concerns, may be seen as reflecting his engagement with questions of identity, knowledge and perception. New perspectives on familiar images and stories are presented. They absorb the flow of blood and recall the symbols often used in Aboriginal dot painting of the Western Desert to represent significant sites. Discuss in relation to selected artworks by Bennett that you believe reveal questions and complexities, rather than answers and simplicities. However, in each image the grid effectively highlights the controlled order and structure of knowledge systems and learning in Western culture, and how these frame and influence perception and understanding of self, history and culture. He serves as a counterpoint to Gordon Bennetts Other, and yet we are the one and the same. Outsider depicts, a decapitated Aboriginal figure standing over Vincent van Goghs bed, with red paint streaming skywards to join with the vortex of Vincents starry night. Gordon Bennett Possession Island (Abstraction) 1991 In Tate Modern Level 3: A Year in Art: Australia 1992 Level 3: A Year in Art: Australia 1992 Artist Gordon Bennett 1955-2014 Medium Oil paint and acrylic paint on canvas Dimensions Support: 1843 1845 mm Collection Tate Acquisition Bennett purposefully constructed these layers to blur fixed ideas and raise questions about the way identity is constructed. What values or ideas characterise the postKeating era in Australia? At the heart of all human life is a concept of self. How have these sciences influenced the perception and understanding of Indigenous people and cultures? In a conceptual sense I was liberated from the binary prison of self and other; the wall had disintegrated but where was I? She was one of the first Australian artists to recognise the spiritual significance of Aboriginal art and the land. For example, Aboriginal deaths in custody was recognised as a significant issue. cat. It exposes the pain these stereotypes create. It recalls the way stereotypes, labels, identities and systems of thought are fixed. Particularly when academics claim that they are afraid of expressing their 'true' findings for fear of losing their careers. Gordon Bennett | World War II Database - WW2DB Other aspects of the image, including the flat, stylised shapes of the head, reflect connections to both Western abstract art and Indigenous art traditions. Since 1992 Bennett was involved in an ongoing non-performance by refusing to participate in public lecture programs in Australia. Opens in a new window or tab. Bennett presents each image with a single word, written in capitals, that boldly asserts a new meaning for them. Bennetts earliest works, including The coming of the light, 1987, reflect a raw and expressive style. (#100) GORDON BENNETT - Sotheby's Queensland-born artist Gordon Bennett (1955-2014) was deeply engaged with questions of identity, perception and the construction of history, and made a profound and ongoing contribution to contemporary art in Australia and internationally. Gordon Bennett - Portrait and a Wet Dream (Historicism) (1993-95) - A The headless figure of the Aboriginal man has an animated, spectre- like presence that haunts the scene. Bloodlines: The art of Gordon Bennett - QAGOMA Blog Is this response informed by Bennetts work? With eyes closed, these heads appear as blind, mute and lifeless witnesses to the surrounding conflict and struggle. James Gordon Bennett Quotes - BrainyQuote Preston envisioned the creation of an Australian aesthetic. Get this The Morning News page for free from Friday, July 7, 1972 Q90 wSu Fairfax Shopping Center Doily 10-6. The Notes to Basquiat: 911 series and the Camouflage series, which reflect on the terrorist attacks of September 11, 2001 and the war in Iraq respectively, highlight Bennetts global perspective. That was to be the extent of my formal education on Aborigines and Aboriginal culture until Art College. Gouged into the skin like a tattoo, these markings will never heal or fade away. Discuss with reference to a range of artworks by Bennett. John Citizen was an abstraction of the Australian Mr Average, the Australian everyman. Gordon Bennett Number Nine, 2008 Acrylic paint on linen 71 9/10 119 7/10 in | 182.5 304 cm Museum of Contemporary Art Australia (MCA) The Rocks Get notifications for similar works Create Alert Want to sell a work by this artist? The purer the bloodlines, the more Aboriginal you were. 3233, Gordon Bennett, The manifest toe, p. 33, Gordon Bennett & Chris McAuliffe, Interview with Gordon Bennett in Rex Bulter (Ed.) His use of the perspective diagrams to frame and contain the figure of his mother alludes to the impact the values and systems of European culture have had on the lives of Indigenous people. Learn How rich is He in this year and how He spends money? Five things to know about Gordon Bennett | Tate Bennett has often used dots in his artworks as part of his investigation of issues of identity, and history. Bennett simultaneously obscures and draws attention to the Aboriginal man standing next to Cook, overlaying an abstract geometric shape which recalls constructivist art and the Aboriginal flag. 75 Artists ideas | artist, art, straight photography 'Bloodlines' Bennett not only used Basquiat images, but begins to paint in his style. Layers of images superimposed with words. Perhaps the most influential artist of the 20th century, Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. ART215: Topic 10 - Urban Aboriginal Art - Pinterest Voir plus d'ides sur le thme toile de lin, basquiat, art australien. The simplicity of I AM suggests a universality of thought. This image is based on a photograph by JW Lindt (1845 1926). Das Jahr 1904 brachte mit dem Gordon-Bennett-Rennen in Deutschland und dem Vanderbilt Cup in den USA einen weiteren Aufschwung des Motorsports vor allem auch auerhalb Frankreichs, wobei fr das Rennen in New York erstmals europische Fahrer und Rennstlle nach bersee gereist waren. Discuss with reference to Possession Island. James Gordon Bennett Many a good newspaper story has been ruined by over verification. This is the second of two works entitled Possession Island that Bennett painted following Australias bicentennial celebrations in 1988. The timeline could be presented in hardcopy for display in the classroom, or as an ICT project incorporating images and audio. Gordon Bennett's painting Possession Island (Abstraction) 1991 is based on an image of Captain Cook claiming the eastern coast of Australia in 1770. How does Bennetts use of appropriation reflect an interest in some of the moral and ethical issues associated with this practice. Gordon Bennett 3. Bennett confronts and questions the appropriateness of this borrowing. This image also translates to mean: In the name of Allah, the Beneficent, the Merciful. What legal, moral and ethical rights does an artist have to control the way their work is seen and viewed in exhibitions, books or online. Strange to think of Gordon Bennett as an almost classical figure in contemporary Australian art. How do the key themes/ideas and strategies in the book/film compare to those used by Gordon Bennett in early work such as. Today a monument exists on the site commemorating his arrival. One reason is that I felt I had gone as far as I could with the postcolonial project I was working through. Every object is carefully and clearly painted, yet the images conceptually blur together as they intersect and interlace through the grid, across the canvas. Bennett has included the framed photograph in the panel, to the right of the painted figure. James Gordon Bennett 2, I cant remember exactly when it dawned on me that I had an Aboriginal heritage, I generally say it was around age eleven, but this was my age when my family returned to Queensland where Aboriginal people were far more visible. However the hand in the opposite panel controls and threatens the Aboriginal figure represented as a jack- in- the- box. Gordon Bennett POSSESSION ISLAND 1991 Titled, dated (1992) and signed by the artist on each panel and bears various exhibition related inscriptions and labels on the stretchers, and inscribed with date of completion 29.12.91 on the reverse of the right panel Synthetic polymer paint on canvas (diptych) 162 by 130 cm each panel, 162 by 260 cm overall I am purposely not defining him only as Aboriginal because he himself does not want to be defined only as such. These images, forever forged in our minds, are boldly depicted in Basquiats graffiti- like style. She was once thought to be the last surviving Tasmanian Aborigine. Gordon Bennett 1. while Bennett may have attempted, in recent years, to disconnect from the politics of his earlier practice, there is also a sense within these paintings, of the impossibility of such a task. Articles - JSTOR The Stripe series of abstract paintings represents a kind of freedom for me as an artist. It is appropriation of an image that has already been copied with an image that has become central in the pysche of an Australian history. Oil and acrylic on canvas, 182 x 182 cm. Purchased with funds from the Foundation for the Historic Houses Trust, Museum of Sydney Appeal, 2007. Bennett was aware of the role binary opposites, such as self/other, play in constructing personal and cultural identity. Unfinished Business: The Art of Gordon Bennett - academia.edu Bennett was concerned that his identity and work was seen as coming from a narrow framework. From early in his career he was inspired by theories and ideas associated with postmodernism. While these may indicate the way maps are constructed to find different locations, they also represent the first letter of racial slurs. Bellas Gallery. However Bennetts use of the black square in this and other works also reflect his ongoing interest in the work of the influential Russian abstract artist Kazimir Malevich (1878-1935). The reality is, however, that I have never really had much choice; and I have been faced with my work not entering some collections on the grounds of it being not Aboriginal enough, to being asked to sell my work through stalls at cultural festivalsGordon Bennett 2. These signs can also be read as evidence that disputes the claim that Australia was discovered terra nullius or nobodys land. Are these qualities perceived as positive? It was no accident that Bennett used Pollocks Blue Poles: Number 11. The circular forms in the sky are inspired by the brilliant bursts of light in van Goghs Starry night. Nov 26, 2012 - The paintings of Gordon Bennett are loaded with graphic detail. London's Tate Modern takes possession of iconic Australian art 'Gordon Bennett!' - meaning and origin. - Phrasefinder Discuss with reference to the same works. Against the background of the illusionistic representation of the landscape they capture our attention, alerting us to the fact that there are other ways of representing and understanding the landscape not just the European perspectives that have dominated our cultural history. Gordon Bennett | Possession Island (Abstraction) (1991) | Artsy Consider what dates/events should be included in your timeline and why. These paintings reflect Bennetts belief that after the Notes to Basquiat series of 2003, I had gone as far I could with the postcolonial project I was working through1. He described his upbringing as overwhelmingly Euro-Australian, with never a word spoken about my Aboriginal heritage. The first panel of Bennetts triptych, Requiem, depicts Trugannini (c. 1812 1876), a Palawa woman from Tasmania. | Tate Images. The other was 'Number . Gordon Bennett! | English Slang Phrases - Peevish Clear visual divisions are created with distinct black areas as well as large white areas. The strategy of word association subverts the values and meaning traditionally associated with the image. The focus on reason, scientific learning and progress that characterised the Enlightenment (suggested by the measuring marks on the torch) lead to many significant discoveries and new ways of understanding the world. (Abstraction) Citizen - Sutton Gallery Gordon Bennett Possession Island (Abstraction), 1991 Kevin Gilbert Christmas Eve in the Land of the Dispossessed, 1968; 1992 KEY ARTIST ONE- VERNON AH KEE Born 1967, Innisfail, Queensland. Like many of his own and earlier generations, Bennetts understanding of the nations history was partly shaped by the sort of images commonly found in history books. Gordon Bennett 1. In 1999 Bennett adopted an alter ego and began making and exhibiting Pop Art inspired images under the name of John Citizen, a persona representative of the Australian Mr Average. In the first painting by Bennett, Possession Island 1991 (Museum of Sydney on the site of first Government House, Historic Houses Trust of New South Wales), the only figure painted in full vibrant colour is an isolated Aboriginal servant holding a drinks tray. How do these systems/conventions reflect values and ideas important to that culture? Bennett used this symbol because: What emerges for all who take part in this piece is in fact an examination of the self. His status as an artist has been elevated to hero with his contribution to Action Painting.