Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". Because more aspects of life and work are mediated through technology, we design multi-channel digital solutions that create seamless user experiences. Learn More. Switchable cardioid and super-cardioid patterns. Its priced for pro users, but the KSM8 is a beauty of a mic that ditches the all-rounder status in favour of vocal live performance and reinforcement duties. Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). The BLX88 is the two-channel version of the BLX4. I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. In my experience the KSM8 is a more hi-fi-sounding mic. And although the smooth midrange suited the guitar cab, on snare drum we really missed the boost in brightness that an SM57 brings. But a supercardioid pattern would be better when recording a full band in a single room. Their ability to reproduce sound so accurately is why they tend to be used in studio recording. KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. This mic offers dynamic lows, balanced mids and sparkling highs. 2:33 Shure KSM9 Only While the KSM9 offered Cardioid and Supercardioid patterns, the KSM9HS offers Hypercardioid and Subcardioid (wide cardioid), selectable via a switch under the grille. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. The best way I can describe the sound of the KSM9 is that it provides an authentic reproduction of the sound source. The science behind the Braunmhl-Weber capsule is a little complex, but if you want the full story with all the maths, Shure have produced a detailed white paper on the science and practical effects of the dual-diaphragm capsule, which can be found here: http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf. Geeksper.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon. (source: Section 5), Specification of Neumann KMS 105 Microphone, Neumann KMS 105 MT Condenser Microphone, Super-Cardiod,Matte Black, Sennheiser e935 vs e945 Microphone Comparison, Telefunken M80 Review: Features, Pros, And Cons, MXL 990 Review: Microphone Features, Performance, Pros & Cons, Top 5 Best Microphone for Recorder in 2023, The Best Microphones and Headphones for Online Gaming, Highly detailed condenser mic for demanding on stage applications, Robust metal housing reduces handling noise, Includes stand mount and padded nylon bag. I wasnt able to try the KSM8 in a live stage situation, but I did compare it directly with both a Shure Beta 58 dynamic and SM87A capacitor stage mic in the studio. 1:41 Shure KSM9 Only There are no user-serviceable parts inside. It features a cast aluminium handle, solid construction, and comes in two colours: charcoal or champagne. I prefer the KSM9 over the Beta87C. You can easily make one of these out of stockings, or buy one here. The unique design of the Shure Dualdyne cartridge provides several benefits over traditional single-diaphragm dynamic microphones: With traditional microphones, low-frequency response increases as the performer moves closer to the microphone. Theyre both handheld condenser mics optimised for live performance. In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. Its certainly worth testing them yourself if you can, but for my money the Shure has a slightly brighter, clearer sound through the high mids and top end. Shure Audio Institute. #3. It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. More videos like Shure KSM8 vs. KSM9 | Whats the Difference? As a premium vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for . However the KSM9 is noticeably cleaner and brighter. You are using an out of date browser. The nicely tapered die-cast aluminium body is available in a brushed nickel or black-painted finish, with overall dimensions of 188mm x 48mm. Theyre probably best-known for their affordable handheld dynamic stage microphones. More videos like Shure KSM8 vs. KSM9 | What's the Difference? It offers a frequency response of 20Hz-20kHz and a maximum SPL of 150dB. In a switchable-pattern capacitor mic the rear diaphragm is made electrically active, of course, and by changing the electrical biasing of the two capsule halves and combining the electrical outputs from both diaphragms, it is possible to create any desired polar pattern from omni through cardioid and on to figure-of-8. The dual diaphragm design gives it one active and one passive diaphragm, so its also inspired, to an extent, by some of the classic fixed-pattern twin-diaphragm condensers. The only quibble I have is with the price, which at $499 is 5 times the price of the SM58. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. Importantly, the mic provides a pretty consistent 5dB of rejection of sources at 90 degrees right across the frequency range, so that whatever off-axis spill is captured remains fundamentally uncoloured. Shure Audio Institute. Condenser mics are more often found in the studio, where they have the ability to capture small dynamic changes and high-frequency detail. If you want the best quality XLR cables, try these. Very well-defined cardioid polar pattern with minimal off-axis coloration and a deep rear null. For example, AKG developed their D200 range of two-way or dual-capsule microphones in the late 1960s. . The Neumann KMS 105 is a great choice for studio vocals. The Shure engineers originally patented this technology over 50 years ago, and Shure is the only microphone manufacturer to successfully implement it. The action you just performed triggered the security solution. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. In fact there are only a couple of small (less than 3dB) ripples in the response (around 3 and 5 kHz), with a fairly steep roll-off above 12kHz. The latter also feels more nuanced and detailed in its response. Theyll deliver a higher quality sound than dynamic mics. Thank you for your request. This mic has a number of features that make the overall experience even more enhancing First of all, is a state of art suspension system for the capsule, which results in reduced handling noise. How careful do you have to be in handling? Thank you for selecting the KSM series from Shure. The outer grille has been tempered to provide years of dent resistance. They both come with a built-in shock mount and are able to handle high volume levels. Shure KSM9 Cardioid and Supercardioid Condenser Mic. By using the second diaphragm in the resistance network low frequencies are partially blocked from entering the cartridge resulting in a natural, low-end response with controlled proximity effect and no loss in clarity. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. Artists seen using the Shure KSM9 include Neil Tennant, Damien Rice and Serge Tankian. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself!Follow Marcus Scott on social media Instagram: @marcusdscottAfter you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! On first listen, the two mics have a similarly clear and transparent sound. In America, Electrovoice took a very different approach in their EV664 microphone launched in 1954. . In terms of frequency response, the sound ofKSM9 is very well tailored, and it doessound much better than a typical flat-response condenser. XLR Male to Male, CableCreation [5-Pack] XLR 3 Pin Male to 3 Pin Male Microphone Line Adapter. The sound engineer will normally mute the mic from the mixing desk when needed. He enjoys writing middle grade and YA fiction, doing traditional art, and keeping up with the latest anime series. This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. KSM9 is also amazingly crispy and I find it quite amusing. The lowest frequencies enter via the farthest entrance port, with mid and high frequencies entering through ports closer to the capsule. The KSM8 is Shure's dual diaphragm dynamic, and as such not a condenser. Comparison of Shure KSM8 and Shure KSM9 based on specifications, reviews and ratings. When unwanted off-axis sources leak into vocal microphones, it can degrade phase coherency and compromise source quality. The Neumann KMS 105 is a condenser microphone that is designed for studio use. This moisture-resistant cloth protects the cartridge while providing superior pop protection, ensuring years of usability and durability. As for music genres, KSM9 works best with latin, jazz, pop music, rock and similar. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. The capsules that see most demand are beta58s and KSM9s. With state-of-the-art manufacturing from superior components, each KSM8 Dualdyne is meticulously crafted and tested to uphold the quality standards of world-class Shure construction even in the most demanding live environments. To bring in more of the room sound, and the instruments around you, hold the mic 10 cm or more away from your mouth. 95A2050 . If the vocalist presses their lips against the grille there is a small but noticeable increase in the bass end, but it really is very moderate in comparison to most stage mics. But for the money, youll get a classy, crystal-clear sound with heaps of dynamic detail. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum.As polar patterns go the KSM8 boasts a remarkably consistent cardioid response, with an excellent rear null across most of the frequency range, and Shure claim it to be the purest cardioid polar pattern the company have developed to date. Shure are one of the industry leaders in vocal microphones. I think its fair to say, condenser mics are generally most at home in the recording studio. Sound Quality. In fact, for close sources, as the signal frequency reduces, the dual-diaphragm capsule behaves less and less like a directional pressure-gradient device, and more and more like an omnidirectional pressure-operated device. Through a multi-disciplinary partnership from research to development, Essential partnered with Shure to help establish user experience principles and a design language for their wireless and wired microphone . Nevertheless, we dont think this should detract from what is a beautifully made and classy performer from mic giants Shure. Overall, the KSM8 appears to be a very impressive stage mic, both in terms of its practical sonic benefits, and in its innovative technology and sophisticated engineering. On the other hand, condenser mics are less sonically limited than dynamics, and can deliver a lot of detail and clarity. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. More about the KSM8 here. Always hold the vocal mic by the main body, and if theres too much sibilance, try holding it slightly to the side. As expected from professional equipment, youll get that superior quality and low noise levels. Sandusky, MI, United States (26) SHURE KSM9/CG/ The user should not attempt to remove or replace this lining. However, the output impedance is slightly higher than usual, at 300, and although this will technically mean a slightly higher noise floor than a mic with, say, a 150 output impedance, given the KSM8s intended application I think such concerns are completely irrelevant. Developing the Source Code" that connects business strategy and customer insights to brand essence and product experience. The higher range gets some gentle boost, resulting in more transparency andhelping to cut through more easily. Additionally, the KSM9 has a built-in shock mount that helps to reduce noise from vibration, making it ideal for use with high-end instruments. The lower sensitivity allows Shure KSM9 to focus on the user's voice without picking up any sound from other directions. Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. A very similar mic to the KSM9. In the studio, a cardioid mic is probably all you need in a well-isolated vocal booth. Rig Tour: Post Malone's FOH Engineer, Burton Ishmael, Happy 303 Day! Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. In effect, the passive diaphragms compliance acts to partially block or impede low frequencies from reaching the rear of the front diaphragm, thus altering the net pressure acting on the active diaphragm in a frequency-dependent way. KOHN MUSIC STORE. Internal shock mount and capsule stabilization mean minimal handling noise. Condensers offer a brighter, more detailed sound, which is more faithful to the human voice. Its an effect used by radio presenters to give them very deep voices. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. BLX4 and BLX88 systems are throw-it-in-your-backpack wireless mic systems with portable receivers, great for getting around quickly. The grilles are of course replaceable Yet, considering the price of the unit, youd still want to treat it with all due respect and I hope this is a no-brainer. And crucial for live use, the built-in advanced suspension shock mount offers good insulation from handling noise and rumble. Thank you for your request. The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. The Shure KSM9 microphone is a high-end vocal microphone that has been designed for use in live and studio settings. Well, at 429, this mic doesnt come cheap. The KSM8 has many unique design quirks to reduce plosives and the proximity effect, and enable a smooth natural sound. When you purchase through links on our site, we may earn an affiliate commission. Great site. No one has been able to do that before now, and Shure proudly describe it as The most significant dynamic microphone technology advancement the industry has seen in more than 50 years.. For many live situations, a decent dynamic mic may be good enough. The views expressed are those of the contributors and not necessarily those of the publishers. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. With these scenarios aside, many vocalists will find that the KSM9 inspires confidence on stage. However, the KSM9 has this covered. This revolutionary technology provides the following benefits: The KSM8 delivers exceptional results and withstands the rigors of daily use in the most demanding live sound environments. Given the sensitivities of condenser mics, why would anyone risk using one on stage? The younger sibling of the KSM9 is the Shure KSM8. The Neumann KMS 105 and the Shure KSM9 are both great microphones, but the Neumann kms 105 is the better microphone. SM86 is Shure's best compromise. Where the magic happens! As a condenser mic, the Shure KSM9 requires phantom power. Condenser mics are a great choice for stage use as long as they have been designed specifically for live use. Follow Marcus Scott on social media The dent-resistant mesh grille is constructed from a hardened carbon-steel wire and permanently lined with a hydrophobic fabric. It offers a natural, open sound, with a very balanced low-end, beautifully smoothmidrange and brillianthighs. A25E. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as . It may also be purchased as part of a Shure wireless system, or as an upgrade to an existing wireless handheld transmitter.